UNews - Bowman Arts Centre

CASA opens its doors

trevor.kenney — Tue, 14 May 2013 17:08:05 +0000

The City of Lethbridge, Allied Arts Council of Lethbridge and the ��Ѹ��Դ��߿�Ƭ of Lethbridge are excited to announce the Grand Opening of CASA, a truly functional 42,000 square foot arts centre with a striking building design.

CASA is the realization of a 20-year dream, shared by many in the Lethbridge arts community, to expand or replace the Bowman Arts Centre and provide a home for the arts in one central location.

"I am very pleased to participate in today's celebration, which will usher in new opportunities for Lethbridge and southern Alberta's artistic community," says Jim Hillyer, Member of Parliament for Lethbridge, on behalf of the Honourable Lynne Yelich, Minister of State for Western Economic Diversification.

"Worthwhile projects such as this create jobs and encourage economic growth, while also providing Canadians with valuable cultural spaces."

Funding for the $20.69 million project includes $6 million from the Building Canada Fund – Communities Component (with $3 million provided by both the Federal Government and Alberta Transportation under BCF-CC), $14.4 million from the provincial Municipal Sustainability Initiative (administered by Alberta Municipal Affairs) and $200,000 from the City of Lethbridge.

"We're pleased to support local priorities and build communities through the Municipal Sustainability Initiative," says Greg Weadick, Associate Minister of Alberta Municipal Affairs and MLA for Lethbridge-West.

"Facilities like CASA bring together families and neighbours while they enrich lives, entertain and create more vibrant economies."

CASA will allow for students of all ages to learn and explore many different mediums of art, drama, music, dance, yoga and more. It will become home to many local groups and events.

After the 11 a.m. Grand Opening, and for the remainder of the week, special events will be taking place in the evenings, with a Party On the Plaza from noon until 7 p.m. on Saturday, May 18. This community festival is free and will include many local musicians and entertainers, from the Lethbridge Community Taiko Association to the U of L Conservatory of Music.

Other events during the week include dance, theatre, film, the inaugural CASA art exhibit opening and the music of Oscar Lopez.

The ��Ѹ��Դ��߿�Ƭ of Lethbridge Conservatory of Music has numerous events planned that showcase both the new facility and their diverse programs.

U of L Conservatory information, including program registration and upcoming events listings, can be found at this website.

"Our local arts community has been waiting for this day for a long time. For decades to come, this new arts facility will be a significant cultural and economic asset for downtown Lethbridge and for the entire community," says Mayor Rajko Dodic.

Along with the Allied Arts Council, who will be overseeing the facility, the ��Ѹ��Դ��߿�Ƭ of Lethbridge is also a major partner with its Music Conservatory moving to this facility.

"We are extremely proud of U of L Music Conservatory Director Peggy Mezei and her team, and their achievements as they move in to CASA's bright and beautiful space," says Dr. Mike Mahon, the U of L's President and Vice-Chancellor. "Our commitment to the community takes on many forms, and being such an integral part of the CASA group is something we are very pleased to be a part of. This new facility will be of great benefit to our present and future Conservatory students, and also to the many members of the arts and culture community who use the facility to express their own creativity."

The Rotary Clubs of Lethbridge have also provided support to the project which has led to the naming of the Rotary Plaza, the location of the festivities on Saturday, May 18.

CASA will be open to the public from 9 a.m. to 10 p.m., Monday to Saturday, and 10 a.m. to 7 pm. on Sundays. Classes and workshops, including the opportunity to try "sampler" classes for a nominal fee, will begin the week of May 20.

Information on Grand Opening Week events as well as information on classes, workshops, facility rentals and the ��Ѹ��Դ��߿�Ƭ of Lethbridge Music Conservatory can be found at the CASA website.

Campus Kudos - June

trevor.kenney — Wed, 22 Jun 2011 20:54:51 +0000

Dr. Heidi MacDonald (History) received an award for the best English-language academic article deemed to make an original and scholarly contribution to the field of women's and gender history by the Canadian Committee on Women's History. Her article, Who Counts? Nuns, Work and the Census of Canada, was published in a recent issue of Histoire Sociale/Social History. Reviewers indicated that MacDonald produced "…an impressive and insightful piece of work on the various ways in which women religious (nuns) have been excluded or significantly undercounted in the Canadian census."

Taras Polataiko's (Art) painting was on view at the National Museum of Ukraine in Kyiv. The work was part of an international exhibition curated by Kateryna Botanova.

Annie Martin's (Art) installation Untitled (horizon) was exhibited in the PAVED Arts main gallery in Saskatoon. A critical text was also commissioned to accompany this exhibition.

Dana Cooley (New Media) has a video work in the group show, A Century of Artists' Films, at the Theatr Mwldan in Wales. Curated by Mike Cousin in partnership with Oriel Mwldan, the show runs until July 2.

Three ��Ѹ��Դ��߿�Ƭ of Lethbridge teams recently walked to raise money to End MS, totalling an impressive $6,762.05 that was donated to the fight against Multiple Sclerosis. The team from the Faculty of Education, captained by
Dr. Cathy Campbell, and consisting of Dr. Robin Bright, Dr. Noella Piquette-Tomei and Dr. Cynthia Chambers raised $2,935. The team from Administration, captained by Dr. Mike Mahon, and consisting of Maureen Mahon, Laurel Corbiere, Trish Jackson, Virginia Wishart and Robin Hopkins raised $2,725. The team from the Faculty of Management, captained by Dr. Lori Kopp, and consisting of Dr. Robert Ellis, Dr. Sameer Deshpande, Dr. Brian Dobing, Dr. Pam Loewen, Joan Kendall, Diane Boyle and Steve Craig raised $1,102.05.

Pictured left to right are iGEM team members Harland Brandon, (fourth-year Biochemistry), Justin Vigar, ( fifth-year Biochemistry) and MSc candidate Lisza Bruder, BSc ’11.

Clark Ferguson, the U of L's chief information officer, presented the keynote address at the Futures in it – Collaboration Western Canada Academy Conference in Calgary recently. Ferguson's address was titled Business Experience – Applied to Post Secondary at the ��Ѹ��Դ��߿�Ƭ of Lethbridge.

Dr. Austin Mardon (BA'85) received an honorary doctor of laws from the ��Ѹ��Դ��߿�Ƭ of Alberta at its Spring Convocation ceremonies. Mardon, an inspiring advocate for the mentally ill, is a member of the Order of Canada and a past recipient of the CM Hincks Award, the highest award given by the Canadian Mental Health Association.

Three members of the U of L iGEM (International Genetically Engineered Machines) team are travelling to Stanford ��Ѹ��Դ��߿�Ƭ in California to attend the 5th International Meeting on Synthetic biology. The sold-out conference attracts researchers from around the world who are working in the growing field of synthetic biology.

Dr. David Clearwater's (New Media) essay, What Defines Video Game Genre? Thinking about Genre Study after the Great Divide, was published in the Spring 2011 issue of Loading... (a Canadian journal covering videogames and interactive entertainment).

Dr. Josephine Mills (director/curator U of L Art Gallery) has recently been named president of the Canadian Art Museum Directors' Organization.

Dagmar Dahle's (Art) work was included in the exhibition ANIMAL, appearing at Museum London in Ontario.

Loralee Sand Edwards' (BFA '05) exhibition iGallery: curated auto-paparazzi (Self-Portraiture in a Digital Age) is in the Main Gallery of the Bowman Arts Centre until July 10.

This story first appeared in the Legend. For a look at the Legend in a flipbook format, follow this link.

Logan pulls inspiration from Norse mythology

trevor.kenney — Fri, 04 Dec 2009 17:19:31 +0000

Darcy Logan's newest installation, Knowing/Gnawing, in the Helen Christou Gallery, presents his most recent paintings alongside a selection of works from the U of L collection, which provide context and inspiration for his art practice.

"The works are by Canadian artists including Alan Harding MacKay, Rebecca Anweiler, Renee Van Halm, William MacDonnell and Jerome Witvleit," says Logan, who earned his Bachelor of Fine arts in Art at the U of L in 2002 and is the curator at the Bowman Arts Centre.

"I wanted the exhibition to be about bodies of artistic work."

In addition to paintings, Logan also included a set of nine altered encyclopedias, which were made specifically for this exhibition, to work conjointly with the MacKay books as a way to 'read' the exhibition.

"It was important to have this reading mediated not by traditional didactics, but by altered books as re-contextualized bodies of knowledge," says Logan. "My current body of work, entitled Know/Gnaw/Naglfar, uses myth as a metaphor to explore the nature of knowledge and ideas.

"In Scandinavian mythology, the Naglfar is a ship being constructed in the underworld and the name is Old Norse for "nail ferry," which speaks to the rivets that hold the planks together, and a description of its mythic purpose."

It seems the building materials for this ship are the fingernails and toenails of the dead, the detritus of the body.

"When enough discordant people have died and the necessary amount of raw material gathered, the ship will be completed, freed from its moorings, and carry the forces of chaos to ensure the end of the world," he says. "This story provoked a string of associations for me, and gave me pause to reflect on how knowledge and ideologies are defined and constructed, and, ultimately, the consequences that follow in their wake. These are often disastrous, and result from the excesses of philosophical and ideological certainty, or the dangerous limits of knowledge."

In keeping with the myth, Logan's works contain human fingernails and toenails, embedded in the paint.

"My works are as much assemblages as they are paintings," he says. "I use layers of encrusted earth, resins and rusting agents to create the finished pieces. I often carve into the drying mud, leaving parts depressed and others in high relief. I am interested in compositional tension and attempt to explore and exploit normally incongruous elements on the canvas."

These elements can be the tensions between the thick, matte appearance of the mud and the thin reflective quality of resin, the tension between illusionist representation and passages of implied abstract space, or the tension between the modern and primitive nature of the materials.

Knowing/Gnawing is in the Helen Christou Gallery until Jan. 3, 2010.

UNews - Bowman Arts Centre

CASA opens its doors

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Logan pulls inspiration from Norse mythology

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