UNews - professor of music

Jurkowski named Dean of Faculty of Fine Arts

trevor.kenney — Thu, 11 Apr 2013 15:37:48 +0000

The Faculty of Fine Arts will be under the stewardship of a new Dean after the ��Ѹ��Դ��߿�Ƭ of Lethbridge appointed Dr. Ed Jurkowski to the role, succeeding Dr. Desmond Rochfort.

"It is always exciting to announce the appointment of a new Dean, and it is especially gratifying to be able to promote someone from within the ��Ѹ��Դ��߿�Ƭ of Lethbridge community," says Dr. Andrew Hakin, provost and vice-president (academic). "Dr. Jurkowski has been with the U of L for 17 years now and brings with him a wealth of knowledge, experience and a unique understanding of the challenges and opportunities that face the Faculty of Fine Arts."

Jurkowski has been at the ��Ѹ��Դ��߿�Ƭ of Lethbridge since 1996 when he began a term appointment as an assistant professor of music in the Faculty of Fine Arts. During his tenure here at the ��Ѹ��Դ��߿�Ƭ, he has continually progressed, earning tenure as an associate professor of music in 2001 and then full professor of music in 2007.

He most recently served as the Chair of the Department of Music (2003-2009) and has been in the role of Associate Dean of the Faculty of Fine Arts since 2011.Jurkowski earned his bachelor's degree in music (composition) from the ��Ѹ��Դ��߿�Ƭ of Manitoba before completing his master's and PhD designations at the ��Ѹ��Դ��߿�Ƭ of Rochester in Rochester, NY, where he was also a teaching assistant and instructor from 1989 through 1996.

A visiting exchange professor at Hokkai-Gakuen ��Ѹ��Դ��߿�Ƭ in Sapporo, Japan in 2006, Jurkowski has published four books, including his latest, The Collected Works of Eduard Tubin: Double Bass and Balalaika Concertos (Series II, Volume 3) in 2013.

"I want to thank Dr. Rochfort for his fine work within the Faculty of Fine Arts over the previous five years," adds Hakin.

Jurkowski's appointment is effective July 1, 2013 to June 30, 2018.

5 Questions with Dr. Arlan Schultz

trevor.kenney — Thu, 06 Dec 2012 22:26:25 +0000

Dr. Arlan Schultz is an assistant professor of music, composition and theory and the head of the composition area within the Department of Music in the Faculty of Fine Arts.

Schultz's music has been broadcast on Radio Canada, in France on CBC's sister network, and has been heard at performances in Canada, the United States, France, Germany, Austria and Hungary. He has also been commissioned by the National Arts Centre Orchestra, the McGill Concert Choir, the Stuttgart Wind Quintet with Canadian pianist Louise Besette, Hungarian violinist János Négyesy, Canadian pianist Sandra Brown, Ensemble Resonance, Calgary and New Works Calgary, among others.

In addition to his creative work, Schultz is active in several areas of research related to the field of composition. He is implementing software algorithms for real-time audio spatialization in live performance, and designing symbolic computational algorithms for computer-assisted composition and audio synthesis. As well, he is developing tools for electroacoustic composition in the form of audio-spatialization software and unique audio-sample databases.

Dr. Arlan Schultz uses technologies such as real-time spacialization techniques in his studies.

What first piqued your interest in your research discipline?

At a young age, I was fascinated with the structure of music and the techniques involved in its composition. Although I was a pianist, the act of performance was somehow unsatisfying and I found myself increasingly involved in performative situations where improvisation and creativity were required. This engagement with creative music making is what directly led to my desire for more in-depth study of how music was put together.

Along this path, I discovered that, in addition to the traditional tools offered to a composer by historical (and newer) models for realizing a musical composition, there were significant technologies which could enhance the composer's expressive palette – such technologies include real-time spatialization techniques; interactive and computer mediated performance techniques; symbolic computational models; algorithmic composition; and new real-time techniques for audio synthesis.

How is your research applicable in "the real world"?

My current research is engaged with creating music and configuring it for transmission to an audience. When I consider the relevance of my research to the world at large (beyond the academic walls), I ask myself, "What role does music play in my daily life?"

Music is ubiquitous, but is it all meaningful? I view my research as a means for differentiating levels of meaning and for creating an aesthetic experience that goes beyond the background noise of daily living.

What is the greatest honour you have received in your career?

I have been fortunate to receive many grants and awards for my creative work, among them our current ACDI Grant from the Canada Council. However, the most important honour I have received in my career has been the great privilege of working with world-class performers on the production and performance of my work.

My wife, soprano Martha Renner, is a frequent collaborator on my vocal music and my more recent work has involved the inclusion of ritual Tibetan music. The Monks of the Drepung Gomang Monastery in South West India have honoured me by allowing the recording of their ritual music for study and inclusion in my creative work.

How important are students to your research endeavours?

To be a concert-music composer is to be a teacher – students are central to the survival of concert-music and to the continued advancement of, and experimentation with, musical discourse. The art of composition has always been passed on through apprenticeship models of teaching and my students play a central role in my creative life. My students have been actively involved with my musical productions and have been able to benefit from utilizing new technologies and hearing new ways to organize sound.

If you had unlimited funds, which areas of research would you invest?

I would invest in those forms of endeavour that keep us more fully human. Many have said that art fulfills this criterion, but in my view artistic endeavor informed by and combined with scientific research is among the most exciting fields for future research.

Each month, the Legend will present 5 Questions With . . . one of our researchers. For a look at the entire catalog of 5 Questions With . . . features, check out the Office of Research and Innovation Services website at www.uleth.ca/research/research_profiles. If you'd like to be profiled, contact Penny Pickles at pickpj@uleth.ca

This story first appeared in the December 2012 issue of the Legend. For a look at the entire issue in a flipbook format, follow this link.

Conservatory campaign off to rousing start

trevor.kenney — Fri, 17 Jun 2011 18:07:53 +0000

��Ѹ��Դ��߿�Ƭ of Lethbridge officials, community volunteers and students from the U of L Conservatory of Music launched the "Music in the Making" campaign on Friday afternoon with more than half of their ambitious goal already achieved.

The $500,000 community-based campaign will support the Conservatory's move to the new Community Arts Centre, currently under construction in downtown Lethbridge, east of Galt Gardens on the corner of 8th St. S and 3rd Ave. S.

The Conservatory will be a major tenant in the facility, which will enhance the ability for members of the community to experience and enjoy the arts. With more than $250,000 raised to date, the campaign is well underway, according to campaign Co-chairs Lottie Austin and Dr. George Evelyn.

"Music in the Making will support the Conservatory so that students have access to the equipment and tools necessary to be successful," explains Evelyn, who's excited about the opportunities presented by the new downtown location. "This is an important step as we continue to grow music in our community."

"Music has been a part of my life since my mother signed me up for violin lessons when I was five," says Evelyn, who grew up and completed his training in the United States before immigrating to Canada in 1973. He recently retired from the U of L after a more than 25-year tenure as a professor of music in the Faculty of Fine Arts and as the director of the U of L Singers.

"Although it wasn't with a violin under my chin, I've had a rewarding career and from that first lesson on it seemed natural that music was something I was going to do forever."

Austin acknowledges her business activities have led her away from music, but maintains she constantly finds applications for the skills she learned as a musician. "Music taught me to analyze, to set goals, to compartmentalize, to work towards success and those same tenets can be directly applied to a career in business. I know the majority of people who take lessons will not go on to be professional musicians but they will always carry music with them. It is a core component that no matter where you are or what your circumstances are, you will always have music with you," says Austin.

Both Evelyn and Austin agree that investment in the U of L Conservatory of Music is an investment in community. "By supporting the development of musicians and performers, you create possibilities that extend beyond the practice room, theatre or recital hall – you are helping make our community a better place to live. It's one way your contribution can leave a lasting note on the world," says Austin.

UNews - professor of music

Jurkowski named Dean of Faculty of Fine Arts

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Conservatory campaign off to rousing start

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