UNews - www.uleth.ca/tickets

Pianos as you've never heard, or seen, before

trevor.kenney — Tue, 17 Sep 2013 17:03:42 +0000

Hear two pianists, with very different backgrounds and styles, coming together on two grand pianos integrated with electronics and computers - a chance to see each pianist shine and to see the synergy of live collaboration.

Aaron Collier will perform a set of piano improvisations utilizing live sampling, looping and layering techniques with a computer. Jesse Plessis will play a handful of modern works, some with computer, by electronic-music pioneer Karlheinz Stockhausen, one of Canada's greatest composers, Ann Southam, the young American, Nico Muhly, and one robot-inspired work by Radiohead. The duo appear in Two Pianos + Computers, Saturday, Sept. 21 at 8 p.m. in the ��Ѹ��Դ��߿�Ƭ Hall Atrium.

Two Pianos + Computers promises to be one of the more unique musical offerings to hit the stage this year.

The duo will wrap up this unique evening with what they describe as a “turbo-rad collaborative piece”.

Aaron Collier

Aaron Collier may be known as one of Atlantic Canada’s most consistently innovative keyboardists, but the Prince Edward Island native is most recently calling Lethbridge home. Collier studied the piano privately in Prince Edward Island until his graduating year of high school before embarking on 14 years of national and international touring and recording with various rock, pop and jazz artists.

In 2001, Collier became the keyboardist for international touring and recording artists The Jimmy Swift Band. In the following decade the group released four studio albums and two live recordings. In 2006, Collier along with JSB frontman Craig Mercer created the “looping madness duo” Scientists of Sound, a theatrical and high-energy electro project which continues to create intense live shows for eager audiences worldwide.

In 2008, Collier released his first full-length album of electronic music, Love, and in September 2010 he released the improvised piano+computer recording Neo.

Collier is an award-winning sound designer in theatre and recent credits include the world-premiere of Daniel MacIvor’s I Animal at the Supernova and Summerworks festivals in Halifax and Toronto, as well as Jay Whitehead and Daniel Judes’ UNSEX’d in Lethbridge, Dublin, and Halifax. He is presently creating a new show called The Myth of Canada under his alter-ego Chandelier, and is workshopping the work as one of CASA’s inaugural resident artists in November.

www.aaroncollier.ca

Jesse Plessis

Pianist and composer Jesse Plessis recently obtained a Master of Music degree (Performance and Literature) from Brandon ��Ѹ��Դ��߿�Ƭ where he studied piano with Megumi Masaki and composition with Patrick Carrabre. His Bachelor of Music degree is from the ��Ѹ��Դ��߿�Ƭ of Lethbridge where he studied piano with Deanna Oye and composition with Dr. Arlan Schultz and Dr. Rolf Boon.

Plessis has been awarded prizes both in piano and composition. His own works have been broadcast on CBC, and he has performed as a guest artist with several ensembles including the Musaeus String Quartet, the Land’s End Chamber Ensemble, and the International Piano Ensemble. He was recently one of 12 pianists admitted to the London Masterclasses, a program held each July at the Royal College of Music.

He has had the opportunity to give the Canadian premieres of works by Marcel Bergmann, Kaija Saariaho, John Corigliano, Nico Muhly, and Kjartan Olafsson. Recent performances include those with New West Theatre, at the Casalmaggiore Festival in Italy, the Dark Music Days Festival in Iceland and at the Banff Centre.

Plessis is also one half of the Hansen-Plessis Piano Duo (alongside Bente Hansen, ��Ѹ��Դ��߿�Ƭ of Lethbridge) which explores the possibilities of popular music in the concert hall alongside the classical repertoire.

A sometime conductor, Plessis has directed performances with the Brandon ��Ѹ��Դ��߿�Ƭ New Music Ensemble (BUNME), the Brandon ��Ѹ��Դ��߿�Ƭ Orchestra and several musical theatre productions.

Tickets to Two Pianos + Computers are available by calling the Box Office at 403-329-2616 or online at www.uleth.ca/tickets.

Estuary features big set, big issues

trevor.kenney — Thu, 14 Mar 2013 22:05:20 +0000

An estuary is a body of water where a river's current meets and mixes with the sea. For acclaimed playwright and drama professor, Ron Chambers, his latest work, Estuary, features a troupe of colourful characters' lives that mixes, turns upside down and ultimately joins beneath the roof of a fantastic frat house. Playing Mar. 19-23 at 8 p.m. nightly on the ��Ѹ��Դ��߿�Ƭ Theatre stage, Estuary bends the rules of reality and captures the imaginations of its audiences.

Within the walls of an old Victorian house, a series of individual stories stretch the boundaries between reality and the dream world.

"This play is about defining reality," says Chambers. "The characters interact in a setting where there is no fixed reality, where there are questions about what is real or what is imaginary."

Set designer and U of L alumnus Roger Schultz (BFA '89) created an immense set to capture the essence of the play's themes.

"Estuary deals with a big idea, and the size of the set supports that," says Schultz.

Estuary plays Mar. 19-23 in the ��Ѹ��Դ��߿�Ƭ Theatre.

A fully-fashioned two-story Victorian house has been constructed for the production where the complex relationships of the characters play out.

"I took my cues from the premise of the script, blending reality and dreams, containing elements that are fragmented or odd," he says.

For 20 years, Chambers has taught playwriting in the Department of Theatre and Dramatic Arts. Seven of his plays have been professionally produced across Canada, the United States and in Hong Kong. He has won the Alberta Culture Playwriting Award, the Gwen Pharis Ringwood Award (Writer's Guild of Alberta) and has been nominated for both the Elizabeth Sterling Haynes Award and Betty Mitchell Award for best new play.

As both playwright and director for Estuary, Chambers has appreciated the flexibilities of bringing the script to life onstage.

"I wrote Estuary as a big play, with a big cast and a big set," explains Chambers. "Often, the plays I write must be restricted to a limited cast size and to accommodate small sets, but this play is an exception. I also wrote this for students, to allow them to be themselves and play characters that are their ages, dealing with subject matter relevant to their own lives."

Tickets for this final production of the Mainstage Theatre season are available at the ��Ѹ��Դ��߿�Ƭ Box Office (Monday through Friday, 12:30 to 3:30 p.m., or by calling 403-329-2616). Individual tickets are priced at $15 regular, $10 seniors and students. Regular tickets are also available online, www.uleth.ca/tickets.

Bringing alive the world of Fantastica

trevor.kenney — Tue, 12 Feb 2013 21:33:02 +0000

The world of Fantastica is doomed and on the brink of being enveloped by the Nothingness! Atreyu, a young hero in Fantastica, and Bastien, a boy in the real world, must stop the darkness from taking hold by saving the Childlike Empress.

The adventures of these boys and a company of wondrous characters play out on the ��Ѹ��Դ��߿�Ƭ Theatre stage, Feb. 12-16 at 7 p.m. nightly. The Neverending Story by Michael Ende and adapted by David. S. Craig is perfect for anyone who has read a book so good they did not want it to end.

Director Andrew Legg mimics the emotion of one of the many puppet figures that will be used in the stage production.

Creating the magical world of Fantastica for the stage is no small task. From the creepy crawly characters in the form of imaginative puppets, to a set that transforms between Fantastica and the real world, audiences of all ages are in for a spellbinding experience.

Set Designer, Vicki Moser (BA '12) explains the delicate balance of creating a set that easily shifts between the real world and Fantastica.

"Part of the director's concept is to have everything in the imaginary world of Fantastica linked to something we have seen in the real world that Bastian inhabits," she says. "Our set incorporates pieces we have in the real world that transform into something else in Fantastica – everything shifts and morphs and moves, literally, as Bastian's imagination comes to life on stage."

Director Andrew Legg (MFA candidate) chose to direct The Neverending Story as part of the requirements for his MFA degree because the movie had such an impact on him as a child.

"It's a story for all ages, because I think we all identify and cheer for the underdog. I remember watching the film and immediately connecting with both Atreyu and Bastien," says Legg. "The Neverending Story is a great hero's adventure, with wonderfully fantastic characters. I'm thrilled to see it all come to life on stage."

Recommended for ages 10 and up, tickets for The Neverending Story are available at the ��Ѹ��Դ��߿�Ƭ Box Office, Monday through Friday, 12:30 to 3:30 p.m., or by calling 403-329-2616. Individual tickets are priced at $15 regular, $10 seniors/students and children. Regular tickets are also available online at www.uleth.ca/tickets.

This story first appeared in the February 2013 edition of the Legend. For a look at the full issue in a flipbook format, follow this link.

Family dysfunction hits a whole new level

trevor.kenney — Tue, 20 Nov 2012 19:00:22 +0000

A chill is in the air!

King Henry II and his family congregate for an even chillier Christmas celebration in James Goldman's The Lion in Winter, playing Nov. 20-24, 8 p.m. nightly on the ��Ѹ��Դ��߿�Ƭ Theatre stage.

Set in the stark hollows of Castle Chinon in 1183, the dramatic tensions between members of King Henry II's family take centre stage in this historic play. The company includes Henry's quarreling and conniving sons, intent to claim the throne; his wife, Eleanor of Aquitaine, allowed a reprieve from her 10-year imprisonment to join the festivities; and Henry's young mistress, Alias, who is also betrothed to his son Richard.

As the party commences, the scandals of this dysfunctional dynasty explode, revealing shocking truths of betrayal, deceit and treachery.

And you thought your family had interesting Christmas get-togethers.

"This is a very complex script that explores the dynamics and dysfunction of families throughout history," says guest director Philip Adams. "It's about power and land and the successors to that land. We, the audience, can marvel at the dexterity of the noble family."

"Despite the lies and treachery of this dysfunctional family, there is still humour," Adams adds. "Families are funny and this script exposes that humour in very clever ways."

With a grand set, designed by Jim Wills, and period costumes designed by Leslie Robison-Greene, the production transports audiences to a medieval era of stone, wood, leather and furs.

"The production is very well crafted, and it's been a pleasure to be a part of this collaborative project," says Adams, who won Saskatoon's Best Director Award in 2012.

A bit of a nomad, he has served as the artistic director of Nakai Theatre in the Yukon and Mulgrave Road Theatre in Nova Scotia, and also directed productions across the country.

Tickets for The Lion in Winter are available at the ��Ѹ��Դ��߿�Ƭ Box Office (403-329-2616), Monday through Friday 12:30 to 3:30 p.m. Individual tickets are $15 regular, $10 seniors/students. Regular tickets are also available online, www.uleth.ca/tickets.

This story first appeared in the November 2012 issue of the Legend. To view the full issue online, follow this link.

Rubbing Stone Ensemble to perform on campus

trevor.kenney — Mon, 15 Oct 2012 20:06:57 +0000

Calgary's prestigious Rubbing Stone Ensemble visits the ��Ѹ��Դ��߿�Ƭ Recital Hall Oct. 19 for an 8 p.m. performance of selections from their soon-to-be-released and tentatively titled album, Rubbing Stone Ensemble: The Lethbridge Sessions.

Recorded at Studio 1, in the Faculty of Fine Arts, the album features new music composed for Rubbing Stone Ensemble by seven Canadian composers, including U of L music faculty member, Dr. Arlan Schultz.

Versatile and dynamic, this resident ensemble for New Works Calgary is making a name for itself performing a wide array of new Canadian music, including pieces that incorporate electronics.

Studio 1 has hosted a number of talented musicians since opening in the Faculty of Fine Arts.

Ensemble members include Jeremy Brown (saxophone), Gianetta Baril (harp), Donovan Seidle (violin) and Eric Bumstead (percussion). Special guest performers joining Rubbing Stone for the Oct. 19 concert include music faculty, Dr. Deanna Oye (piano) and Martha Renner (soprano).

Schultz, whose work Ikos is on the evening's program and on the CD, is proud of the upcoming album and thrilled the ensemble is giving Lethbridge audiences a preview.

"The album is set to be released on CD worldwide and for download on iTunes in the spring of 2013. The concert features stunning new works by Laurie Radford, David Eagle, Nova Pon, Alain Perron, and Anthony Tan," he says.

The concert features the acoustic ensemble seamlessly blended with surround computer facilitated audio.

Tickets, priced at $15 regular, $10 seniors/students, are available at the ��Ѹ��Դ��߿�Ƭ Box Office or online at www.uleth.ca/tickets

This story first appeared in the October 2012 issue of the Legend. To see the full issue in a flipbook format, follow this link.

UNews - www.uleth.ca/tickets

Pianos as you've never heard, or seen, before

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Estuary features big set, big issues

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Bringing alive the world of Fantastica

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