UNews - Professor Emeritus

Malaysian exchange a benefit to all involved

trevor.kenney — Fri, 07 Dec 2012 17:59:13 +0000

Three months of hands-on experience in the Department of Theatre and Dramatic Arts Scene Shop for Muhammad Azri B. Ali (also known as Ajie) has not only left a lasting and meaningful impression on this Malaysian exchange student's life, but has also positively affected the staff, students and administration at the ��Ѹ��Դ��߿�Ƭ of Lethbridge.

For the first time in his life, Ajie travelled overseas, arriving in Lethbridge on Aug. 23, 2012 to experience a new language, new culture and to learn new techniques and skills in theatre and dramatic arts. Led by U of L Professor Emeritus, Dr. Ches Skinner, this unique program between the ��Ѹ��Դ��߿�Ƭ Technology of Mara in Malaysia and the ��Ѹ��Դ��߿�Ƭ of Lethbridge Faculty of Fine Arts has provided valuable experience to four Malaysian theatre students over the past two years.

"I've always wanted to travel around the world, and my professor, Dr. Skinner, approached me to apply for this exchange program to learn and work at the ��Ѹ��Դ��߿�Ƭ of Lethbridge for the semester," explains Ajie.

With no more than a handful of English words in his vocabulary, Ajie settled into his new home at the U of L, working in the Scene Shop on the set of The Rocky Horror Show, the first Mainstage production of the 2012-2013 Theatre and Dramatic Arts Season.

In addition to becoming almost fluent in English over the course of three months, Ajie's experience further enhances his education with the numerous skills he learned on campus.

"I've learned many things," says Ajie. "I've come to appreciate how organized people and systems can be. Reading scale drawings and building set pieces exactly as they are drawn has been very interesting for me to learn. I understand how careful I have to be."

Ajie didn't spend all his time in the Scene Shop. He also joined the Global Drums percussion ensemble and had the chance to lead a dramatic movement class, teaching students a traditional Malaysian dance.

"I have liked the relationships I've made with the professors and the staff," says Ajie. "I intend to work hard so that I can return to Canada to work on a master's program sometime in the near future."

Set to graduate with a degree in theatre directing from the ��Ѹ��Դ��߿�Ƭ Technology of Mara in June 2013, Ajie says he is better prepared to fulfill the final requirements of his degree, which include directing a play for his final project.

"I can't wait to share my experiences with my friends and colleagues back home, and I also can't wait to return to Canada," he says confidently.

Senate recognizes duo

trevor.kenney — Mon, 07 May 2012 21:26:11 +0000

Lottie Austin and George Evelyn have repeatedly shown their willingness to commit personal time and resources to increasing community awareness and appreciation of the arts.

Professor Emeritus in the Department of Music and recipient of the Distinguished Teaching Medal, Evelyn developed a fundraiser for the U of L Singers called the Festival of Art and Song. A founding member of the ��Ѹ��Դ��߿�Ƭ's Planned Giving Committee, Austin chaired the Festival of Art and Song Committee for several years, and was key to the festival's success, ensuring it met and exceeded its fundraising goal every year.

Lottie Austin and George Evelyn have earned the 2012 Senate Volunteer Award.

Austin and Evelyn share a passion for education and music performance, and an expertise in administration. The U of L's arts and music programs have received broader awareness through their efforts.

The two agreed to be co-Chairs of the Music in the Making campaign, and have been critical in its success.

Designed to benefit the U of L Music Conservatory and launched in 2011, the Music in the Making campaign surpassed its fundraising goal of $500,000, thanks in large part to Austin and Evelyn's efforts to rally supporters of the arts and of the ��Ѹ��Դ��߿�Ƭ. Campaign funds will support the purchase of appropriate equipment and musical instruments for the Music Conservatory's new space in the Community Arts Centre in downtown Lethbridge. The success of this campaign will allow the Conservatory to successfully relocate to its new home.

For their unwavering commitment to the U of L and the community, Lottie Austin and George Evelyn are the recipients of the 2012 Senate Volunteer Award for volunteer work on behalf of the ��Ѹ��Դ��߿�Ƭ of Lethbridge.

This story first appeared in the May issue of the Legend. For a look at the full issue in a flipbook format, follow this link.

Oral history project brings past to life

trevor.kenney — Mon, 05 Mar 2012 22:02:45 +0000

By MIKE PERRY

In January 2009, Dr. James Tagg, Professor Emeritus of the history department, initiated a project to conduct, collect, digitize and make accessible interviews with individuals intimately connected with the early years of the ��Ѹ��Դ��߿�Ƭ of Lethbridge.

With the assistance of Graham Ruttan, a student in the Faculty of Education, the number of interviews conducted with faculty, staff, administrators, students and friends of the ��Ѹ��Դ��߿�Ƭ has grown to 70. The interviews are between one and three hours long and provide a wealth of engaging and informative storytelling of the lives of individuals who experienced the ��Ѹ��Դ��߿�Ƭ of Lethbridge during its infancy.

According to the Oral History Association, "Oral history is a field of study and a method of gathering, preserving and interpreting the voices and memories of people, communities, and participants in past events. Oral history is both the oldest type of historical inquiry, predating the written word, and one of the most modern, initiated with tape recorders in the 1940s and now using 21st-century digital technologies."

The ��Ѹ��Դ��߿�Ƭ Archives, together with the Department of History, has taken on the important role of ensuring that the collection is preserved and accessible to the ��Ѹ��Դ��߿�Ƭ community. Dr. Heidi Macdonald has assumed responsibility for the collection and has been instrumental in ensuring that the project continues to grow. Jacob Cameron, a technical specialist in the ��Ѹ��Դ��߿�Ƭ Library and working in the ��Ѹ��Դ��߿�Ƭ Archives has done most of the work required to design and facilitate the easy access to these recordings.

Karissa Patton, a student in the history program, has also contributed to this project by assisting with the biographies and transcripts first worked on by Ruttan. Ruttan spent two summers on this project, interviewing former students, creating written transcripts and conducting the research for the short biographies of the participants.

While the project is largely complete, it is still a work in progress. It can be accessed on campus from two online locations. From the ��Ѹ��Դ��߿�Ƭ Library's homepage under the Resources tab, choose "U of L's Digital Collections" and follow the link to the collection. It is also located on the ��Ѹ��Դ��߿�Ƭ Archives web page at digitallibrary.uleth.ca/cdm/singleitem/collection/oralhistory/id/44/rec/1.

Dr. Tagg joined the Department of History in 1969. During his tenure here, he served as assistant dean of the Faculty of Arts and Science. Tagg, who retired in 2003, devoted much of his time to the advancement of liberal education here at the ��Ѹ��Դ��߿�Ƭ. In recognition, the U of L has honored him and a fellow Professor Emeritus, Dr. Ron Yoshida, with the Tagg-Yoshida Lectures, which emphasize the importance of liberal education to the ��Ѹ��Դ��߿�Ƭ and to the southern Alberta community.

In addition, the Dr. James D. Tagg Citizenship Award is available to continuing graduate students for academic achievement and community involvement.

This oral history project provides the ��Ѹ��Դ��߿�Ƭ with a distinctive and valuable way to capture the early history of our institution. Together with all the interviewees, Tagg has captured the lived experiences of individuals forever linked to the U of L. It will serve as an enduring legacy to our institutional memory.

Mike Perry is the ��Ѹ��Դ��߿�Ƭ Archivist

This story first appeared in the February 2012 edition of The Legend. To view the full issue in a flipbook format, follow this link.

Oral history project brings past to life

trevor.kenney — Wed, 15 Feb 2012 21:34:42 +0000

In January 2009, Dr. James Tagg, Professor Emeritus of the history department, initiated a project to conduct, collect, digitize and make accessible interviews with individuals intimately connected with the early years of the ��Ѹ��Դ��߿�Ƭ of Lethbridge.

In addition, the Dr. James D. Tagg Citizenship Award is available to continuing graduate students for academic achievement and community involvement.

Mike Perry is the ��Ѹ��Դ��߿�Ƭ Archivist

This story first appeared in the February 2012 edition of The Legend. To view the full issue in a flipbook format, follow this link.

Visiting students add to mosaic

trevor.kenney — Tue, 01 Nov 2011 20:50:48 +0000

For Nurul, Kamil and Datu, students from ��Ѹ��Դ��߿�Ƭ Tecknologi Mara in Malaysia, discovering all there is to do and learn this semester at the ��Ѹ��Դ��߿�Ƭ of Lethbridge is the experience of a lifetime. In turn, for students, faculty and staff in the Department of Theatre and Dramatic Arts, hosting these exceptional students is not only rewarding but also provides the opportunity to learn from their exchange visitors.

The exchange program, spearheaded by Theatre and Dramatic Arts Professor Emeritus, Dr. Ches Skinner, is the first of its kind for the department.

"Since I retired from the U of L, I have been teaching in the Faculty of Film, Theatre and Animation at Universiti Teknologi MARA (UiTM) in Malaysia," says Skinner. "UiTM has a program that enables students to go overseas to complete a three-month practicum. I encouraged Nurul, Kamil and Datu to apply and they did. I approached the U of L Fine Arts department last year to consider hosting these students and the rest, as they say, was history."

Visiting Malaysian students Nurul Ain Binyi Mohd Salihuddin, Mohd Kamil Bin Zukepeli and Datu Hazriel Bin Datu Atik.

The students were in Lethbridge from August through October adjusting to their new life, moving into a new home, registering for classes and becoming acquainted with the theatre production shops where they are working.

"I really had no experience on a sewing machine," says Nurul, who is working in the Costume Shop with manager Teresa Heyburn and assistant Lynn Hopkins. "Back home, we mostly sew by hand. I have learned so many things from Teresa and Lynn. These skills are very valuable to my studies and career back home."

Kamil and Datu have been busy in the Props and Scene Shops, working on the set of the next Mainstage production, The Government Inspector, with properties master Jay Johnston, head shop carpenter David Green and scene shop assistant Arlene Curran.

"I chose to come to the U of L after talking to Dr. Skinner and exploring the U of L website. I plan to use the skills learned here in theatre back home in Malaysia. It's been a great experience so far," says Kamil.

"Nurul, Kamil and Datu come from small villages and pay for their education through loans and work they do out of school," explains Skinner. "They could never afford to travel outside their country, so consequently, the world beyond their borders is often a collage of what they pick up from films, TV and newspapers. This experience will immeasurably expand their knowledge of the world and themselves."

Meeting new friends, practicing English, discovering new skills and using new technology continues to expand the students' experiences every day.

"A university is a place where people from different cultures, beliefs, traditions and practices come together to share ideas and experiences; to get to know each other, and in doing so, contribute positively to the global community of which we are all a part," adds Skinner. "Nowhere is that more important than in the fine arts, which celebrates our humanity through all forms of expression. In a small way, I believe this program reflects that aim and will hopefully break through the geographical obstacles and help people from different parts of the world to get to know each other."

As Nurul, Kamil and Datu's visit concludes in November, it is hoped another handful of UiTM students will take advantage of the exchange program and join the Faculty of Fine Arts at the U of L, to discover all the opportunities found on campus and throughout the whole community.

"I hope the U of L will become the preferred place for students from UiTM for many years," says Skinner. "This program adds to their education and is exceedingly valuable for them."

Expect anything but a Little Solemn Mass

trevor.kenney — Wed, 12 Oct 2011 21:08:19 +0000

Petite Messe Solonnelle translates as Little Solemn Mass.

"However, it's not little and it's not solemn!," says Dr. Janet Youngdahl, Faculty Artists and Friends Series
co-coordinator.
"Rossini's Petite Messe Solennelle is actually huge and bombastic. Written in 1863, this was Rossini's last major composition and it contains a lot of wit and humour not found in the usual style of religious music of the time."

Audiences can hear for themselves as an ensemble of music faculty, students and alumni come together to perform Rossini Petite Messe Solennelle in the ��Ѹ��Դ��߿�Ƭ Recital Hall, Oct. 15 at 8 p.m.

Written for 12 voices and piano, Youngdahl says the ensemble is performing the piece in the setting for which it was intended.

"The Petite Messe Solennelle is a curious cross between opera and sacred music. It was not written to be performed in the church. The ��Ѹ��Դ��߿�Ƭ Recital Hall is the perfect venue for this piece."

In addition to Youngdahl (soprano), Dr. Blaine Hendsbee (tenor) and Dr. Sandra Stringer (mezzo-soprano), both from the U of L's music department are also performing. Joining them are Professor Emeritus Dr. George Evelyn (bass-baritone), alumni Kade Hogg (tenor) and Audrina Steciw (soprano), as well as a selection of talented senior students. Audiences will also be introduced to the newest music faculty member, pianist, Dr. Carolyn Herrington.

Co-coordinator Nick Sullivan emphasizes that this is a rare opportunity for audiences to see this work performed live. He adds that audiences of the Faculty Artists and Friends Series can look forward to an entire season of unique and extraordinary music.

"Our programs are built on pieces not often heard. Rossini Petite Messe Solonnelle is one of those rare live performances you can't miss. From the New Orford String Quartet on Dec. 3, to Blaine Hendsbee on Jan. 14 and Piano PIANISSIMO on Mar. 17, the series presents a lineup of unique repertoire, performed by our talented faculty and exceptional guest artists," says Sullivan.

For tickets to Rossini Petite Messe Solennelle, visit the ��Ѹ��Դ��߿�Ƭ Box Office, Monday through Friday, 12:30 p.m. to 3:30 p.m., or call 403-329-2616. Individual tickets are $15 regular, $10 seniors/students.

Professor Emeritus Spinks passes away

trevor.kenney — Tue, 28 Jun 2011 21:34:57 +0000

The ��Ѹ��Դ��߿�Ƭ community expresses its most sincere condolences to the family, friends, former students and colleagues of the late David Spinks, a Professor Emeritus in the Faculty of Fine Arts (Theatre and Dramatic Arts) who passed away at his home in England at age 81 after a brief illness.

He is survived by his wife, Jo, and daughter Elisabeth. A memorial service is scheduled to take place July 4 beginning at 3 p.m. near Martlesham Heath at the Seven Hills Crematorium in Nacton, UK.

Spinks arrived from England in 1971 as the first regular faculty member in Dramatic Arts. He had distinguished himself in drama and education in England, teaching for Cambridge ��Ѹ��Դ��߿�Ƭ and producing plays for children, youth and adults throughout Cambridgeshire.

His knowledge of, and passion for, theatre combined with his boundless enthusiasm and charismatic personality propelled the department forward at lightning speed. He drafted the first curriculum, integrating it into Arts and Science and hired the first faculty members. Spinks also worked closely with the architects to design the ��Ѹ��Դ��߿�Ƭ Centre for the Arts theatre spaces, including an experimental theatre which was later named the David Spinks Theatre in his honour.

He was promoted to full professor in 1988 and retired in 1990, in the process earning the respect and love of his students and one of the first Distinguished Teaching Awards.

Dean Emeritus Ches Skinner recalls Spinks as a mentor and friend.

"He had an unrivalled passion for teaching and excelled at helping students find their own voices and then enabled them to find the confidence to use them," says Skinner. "Students flocked to his classes and through David's inimitable style shared in his passion for theatre and particularly that aimed at children and young audiences.

"Whereas David sometimes directed scripted work (plays written by others as found in the library etc.), he was exceptional at encouraging students to find the drama in their own lives and then creating shows that were meaningful to the performers and audiences alike. He left some of his magic behind...I know it continues via his students and teaching colleagues."

"David Spinks was a gentleman of good humour, intelligence and extraordinary generosity," says long-time colleague Richard Epp. "His leadership as a teacher and his encouragement of colleagues permitted the arts to play a major role on this campus in its formative years. I am privileged to have known David and to have worked with him in the dramatic arts."

Ensuring a promising future

trevor.kenney — Wed, 18 May 2011 21:43:14 +0000

For professor emeritus J-P Christopher Jackson, it was the notes on a page of sheet music that awakened a lifelong love of music, motivated a successful career at the ��Ѹ��Դ��߿�Ƭ of Lethbridge and inspired a gift that will leave a legacy.

Growing up playing woodwinds in Oklahoma City, Jackson attended his hometown university with the intention of becoming an orchestral musician.

"However, during my undergraduate studies I did work in theory and music history and discovered my interest in music went beyond a performance level."

He began considering musicology, a more scholarly study of music, which looks at the historical, cultural and sociological implications of the composition.

Pictured with J-P Christopher Jackson (front, middle) are Glenn Klassen, conductor and music director of the Lethbridge Symphony Orchestra, John Reid, director of the Canadian Music Centre - Prairie Division and Dawn Leite, manager of the Lethbridge Symphony Orchestra.

"Suddenly I was looking at more of an academic career rather than a performance career," says Jackson, who started investigating graduate opportunities and eventually secured a prestigious fellowship to Washington ��Ѹ��Դ��߿�Ƭ in St. Louis, where he would complete both a masters and a PhD.

It was here that Jackson was first introduced to performance practice.

"Performance practice is the attempt to get at how the music of a certain period would have been performed at the time it was written," explains Jackson. "I thought it made music make more sense when it was played on the instruments for which it was intended."

Being interested in the history and development of instruments and music compositions didn't mean that Jackson wasn't still a performer at heart.

"I began setting up performance ensembles," says Jackson, who took it on himself to learn many of the instruments needed in various pieces. "I co-ordinated the players, chose the music and decided the direction, but we all worked together on the performance."

Described by one professor as entrepreneurial, Jackson headed up performance ensembles throughout his graduate studies, working with a diverse array of music ranging from the middle ages to contemporary pieces. The experience allowed him to further develop his skills in performance, composition and musicology. When he began looking for work after graduation, he knew he wanted a position that would grant him the flexibility and freedom to continue exploring.

"It was always my dream to teach in a smaller liberal arts university in order to be able to pursue my multidisciplinary interests. The position at the ��Ѹ��Դ��߿�Ƭ of Lethbridge was a dream come true," says Jackson, who was hired in the music department in 1975 and from that point on made Canada his home.

During his time at the U of L, Jackson taught a variety of courses and was also involved in administration. His research included the study of the classical music of Indonesia and other world cultures, offering a whole new program of study within the department of music. Learning the languages, cultures and arts of distant lands enriched Jackson's life immensely.

Originally attracted by the U of L's liberal arts philosophy, Jackson continued to be an advocate for a multidisciplinary approach to learning, and took full advantage of the opportunity to work with colleagues in other disciplines.

"How could I work in the music department and write vocal music and not use the poetry written by faculty in the English department?" asks Jackson, whose compositions often used the work of others as a starting point.

Jackson wrote many pieces for the artists around him and worked with a variety of professionals including playwrights, poets and paleontologists. He believes the diverse influences on his work made him a better artist.

"My time at the U of L was truly a gift," says Jackson, who retired in 2000 due to health reasons.

Considering himself lucky, Jackson wanted to return the favour and make a gift to the U of L that demonstrated his appreciation for a successful 25-year career. With no living relatives, Jackson and his partner, Ray Robertson, decided to make an allowance in their will for the ��Ѹ��Դ��߿�Ƭ.

"A gift like this allows me to continue the type of work I think is important," explains Jackson, whose estate will create an endowment to provide scholarships for music students. "It is a gift repaid in perpetuity with all my gratitude."

For more information on making a legacy gift, visit www.ulethbridge.ca/advancement/dev/plannedgiving or call 403-329-2582.

This story first appeared in the Legend. For a look at the Legend in a flipbook format, follow this link.

Campus Kudos - April

trevor.kenney — Wed, 13 Apr 2011 22:00:35 +0000

Alumna Chelsea Matisz (BSc '06, MSc '09) was recently named the winner of the Ashton Cuckler New Investigator Award. This award is handed out by the American Society of Parasitologists and is given to the top graduate student in the field, based upon the quality of research accomplished during a candidate's graduate studies. In the past, this award has gone to a recently-graduated PhD student, while Matisz is currently in a PhD program at the ��Ѹ��Դ��߿�Ƭ of Calgary. She will be honoured at the Society's annual meeting in Anchorage, Alaska, in June.

Soprano Acacia Doktorchik (MMus) presents her final Graduate Recital on Apr. 14 at 8 p.m. in the ��Ѹ��Դ��߿�Ƭ Recital Hall.

Mart Blicharz (MFA New Media) has an exhibition entitled, Breaking The Spell: Work in Progress, showing at the U of L Penny Building until Apr. 15.

Tasha Diamant (MEd student) was invited to present a Human Body Project event at the Union Theological Seminary, a graduate degree-granting seminary associated with New York's Columbia ��Ѹ��Դ��߿�Ƭ. Her presentation included a live Human Body Project performance followed by a discussion with faculty and students. The Human Body Project is the subject of Diamant's MEd research project, which mostly consists of a 53-minute documentary film, and is under the supervision of Dr. Erika Hasebe-Ludt and Dr. Leah Fowler.

Nicholas Louma (BFA '08) had artwork in the exhibition, Mind the Gap, at the Art Gallery of Swift Current in March.

Anna VanderHeide (BMus/BEd) sang in a Tribute to Ray Charles and Aretha Franklin organized by the newly formed Lethbridge Jazz Society in April.

Mike Pinder (Operations Co-ordinator, Sport and Recreation Services, BSc '04) was given a Lethbridge Sport Council Achievement Award for coaching excellence. Pinder is an assistant swim coach with the LA Swim Club, and in addition to coaching Youth Olympic medalist Rachel Nicol, is highly respected by athletes and parents for his dedication and commitment to the sport of swimming.

Ken Allan's (Art) article, Barnett Newman's The Wild: Painting as Spatial Intervention, has been accepted for publication by the American journal October, published by MIT Press.

Taras Polataiko (Art) had work displayed in the group exhibition, Delinear, at the Barbara Edwards Contemporary in Toronto.

Knud Petersen, a longtime supporter of Pronghorns Athletics through the Horns Booster Club, Operation Red Nose, Pronghorn Dinner & Auction, Casino Chair and Adopt-A-Horn programs, was given a Lethbridge Sport Council Achievement Award for Spirit in Sport.

Collin Zipp (MFA Art) is participating in a residency, culminating in an exhibition, at Daimon Video in Gatineau, Que.

Soprano Rachel Sinnott (MMus) presented a Masters Recital on Apr. 7 in ��Ѹ��Դ��߿�Ƭ Recital Hall.

Pronghorns thrower Heather Steacy was given a Lethbridge Sport Council Achievement Award as Senior Female Athlete of the Year in 2010. Steacy, who took a year off of Canada West competition, devoted her time to the Canadian National Track and Field team, winning a gold medal at the North America, Central America, and Caribbean Championships (NACAC) where she threw a personal best of 67.20 m in the hammer throw.

Billy McCarroll (Professor Emeritus), on bass, and Dale Ketcheson (Music), on guitar, perform at the Southern Alberta Art Gallery (SAAG) at a Happy Hour performance sponsored by the Lethbridge Jazz Society on Apr. 15 from 5-8 p.m. McCarroll's artwork is presently on display at SAAG.

Jazlyn Dow (BFA '10) has just been accepted into the Master of Arts in Visual Culture: Costume Studies program at the Steinhardt School of Culture, Education and Human Development at New York ��Ѹ��Դ��߿�Ƭ.

International Management students Kayley Fulton and Aamna Zia have each been awarded a $3,000 Export Development Canada (EDC) International Business Scholarship. Fulton completed a work exchange in Spain in 2010 while Zia, an Edmonton Campus student, is currently on work exchange in France.

Darcy Best (Mathematics and Computer Science) bettered his score from last year to set a new school record for his performance in the William Lowell Putnam Mathematics Competition. Best joined nearly 4,296 North American students in a six-hour, 12-problem contest, earning an overall ranking score of 527.5, leaving him one point out of the top 500.

For a look at the Legend in a flipbook format, follow this link.

Lasting Images - Iain Baxter&

trevor.kenney — Mon, 21 Mar 2011 18:02:37 +0000

Iain Baxter& is known as one of Canada's foremost conceptual artists. Born in England in 1936, Baxter&'s family moved to Canada a year later, and he spent most of his early career in Vancouver. From 1966-78, Baxter& and artist Ingrid Baxter formed the art collective N.E. Thing Co., which explored the boundaries between corporate advertising, mechanized production and fine art.

Baxter& went on to produce work in a wide variety of media, including drawing, painting, sculpture, photography and film. He is a Professor Emeritus at the ��Ѹ��Դ��߿�Ƭ of Windsor, Ontario while continuing his artistic practice, and in 2003 was designated an Officer of the Order of Canada.

Iain Baxter&, Selections from Reflected Paris Beauty Spots, 1980 | From the ��Ѹ��Դ��߿�Ƭ of Lethbridge Art Collection; Purchased from the artist, 1985.

In 1980, Baxter& travelled to France to create work for an exhibition held at the Canadian Cultural Centre Paris, entitled Reflets sur polaroid de grains de beauté parisiens (Reflected Paris Beauty Spots).

Baxter& carried a small mirror through Paris and took Polaroid photographs of it, angled to reflect key landmarks and architecture around the city. Baxter& then photographed the original Polaroids against the body of a model, highlighting the contrast between the historical buildings and human flesh.

For the 30th anniversary of Baxter&'s premier Parisian exhibition, the Canadian Culture Centre Paris mounted a retrospective of Baxter&'s work entitled Canadian Perspective, displaying the original Reflected Paris Beauty Spots series (now held in the ��Ѹ��Դ��߿�Ƭ of Lethbridge Art Collection) and other

works spanning five decades of Baxter&'s prolific career.

For a look at the March issue of the Legend in a flipbook format, follow this link.

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