Campus Kudos - November

trevor.kenney — Thu, 18 Nov 2010 20:20:57 +0000

Congratulations to the group of ��Ѹ��Դ��߿�Ƭ of Lethbridge alumni who was successful in earning Lethbridge City Council seats in the recent municipal election. The group includes Lethbridge mayor Rajko Dodic (BASc '78), and aldermanic members Jeff Carlson (BFA '92), Liz Iwaskiw (BASc '77), Joe Mauro (BASc '83) and Bridget (Pastoor) Mearns (BA '95).

Dr. Josephine Mills (U of L Art Gallery director/curator) presented, Deaccessioning: The Root of All Scandal, as part of the Southern Alberta Art Gallery's Art Appreciation series Articulations III: Scandals, Scoundrels, Capers, and Cons.

Dr. David Renter's (Music) quartet performed in Southminster United Church's Jazz Vespers series.

Annie Martin's (Art) sound installation, Listening Space, opened Nov. 5 at Contrary Projects Gallery in Regina. The installation is a version of the Listening Room Series Martin has developed since 2006 and uses lo-fi audio technology deployed to "open" the architecture of the space, creating an unfiltered audio environment.

Emily Luce's (New Media) exhibition Parallel Park (Lab Space) is in the Helen Christou Gallery until January 14.

A distinguished group of alumni from the Faculty of Education recently received nomination for the Edwin Parr Award in Zone 6. Awarded by the Alberta School Board Association (ASBA), the Edwin Parr Awards single out professionals in their first year of teaching for their talent, commitment to students and contribution to education. Shelley Kirkvold (BA/BEd '09, Catholic Central High School, Lethbridge), Qian Zhang (BSc '04, BEd '09, DA Ferguson Middle School, Taber), Grant Bertamini (BEd '09, Fleetwood Bawden Elementary, Lethbridge), Alli Martin (BA/BEd '09, Stavely Elementary), Travis Curliss (BA/BEd '09, Crescent Heights High School, Medicine Hat) and Donna Jean Wilde (BA/BEd '09, Magrath High School) all earned nominations.

Rumi Graham (librarian) defended her PhD thesis, A Multiple Case Study Exploration of Undergraduate Subject Searching, at the ��Ѹ��Դ��߿�Ƭ of Toronto. Her thesis looks into subject searching and information literacy in the undergraduate context.

Taras Polataiko (Art) had new work displayed in the exhibition, Video Lounge, at the Toronto International Art Fair, Oct. 28 – Nov. 1.

Janet Youngdahl (Music) directed and sang in a staged production of the Ordo Virtutum, a 12th Century Music Drama by Hildegard von Bingen, at the Cleveland Institute/Case Western Collegium. She also presented a paper entitled, Identifying Musical Gestures in Bach Choruses: An approach for Singers and Conductors, at the Alberta Choral Federation Symposium in Red Deer.

Lisa Doolittle (Theatre & Dramatic Arts) presented, Negotiating First Nations rights in Canada – What does dancing have to do with it?, at a Southern Alberta Council on Public Affairs special session.

Gail Hanrahan (Theatre & Dramatic Arts) directed the world premiere of, In Flanders Fields, at Lunchbox Theatre in Calgary.

Dr. Arlan Schultz (Music) just returned from Drepung Gomang Institute in Louisville, Ky., where he met with eight Tibetan Buddhist Monks from the Drepung Gomang Monastery in southwest India. Schultz has been conducting research into the spectral content of Tibetan ritual music and was able to record 12 different ritual chants in a special recording session set up by the monastery. The chants will be used in a new electro-acoustic work for 8-channel computer processed audio.

Dr. Ken Allan (Art) presented his paper, Marshall McLuhan, N.E. Thing Co. Ltd., and the Counter-Environment, at a Nov. 25-27 conference at the ��Ѹ��Դ��߿�Ƭ of Toronto. His talk was associated with the exhibition, Traffic: Conceptual Art in Canada, 1965-1980, currently on view in Toronto. He also spoke at the regular session of the Southern Alberta Council on Public Affairs.

Katie Klingvall (BFA '04) is off to Macau, China to work in the Wardrobe Department for Dragone Theater Company.

For a look at the full issue of the November Legend in a flipbook format, follow this link.

Reviving history

trevor.kenney — Fri, 09 Oct 2009 20:24:46 +0000

The name Hildegard von Bingen may not ring a bell, but her compositions, written in the 12th century, left an indelible mark on music – and women's – history.

It's only been in recent decades that ��Ѹ��Դ��߿�Ƭ have begun to seriously study the German nun's contributions to medieval music, explains Faculty of Fine Arts music professor and solo singer, Dr. Janet Youngdahl. For centuries, Hildegard von Bingen remained a footnote in history despite her enduring compositions and clever use of musical notation.

Youngdahl, who specializes in performance practice (the study of how vocal music is performed), is studying the works and life of the composer. She says Hildegard was one of the 12th century's most prolific composers. Her ornamental chants express an original view of the world.

"She has a very unique, female sense of the divine, and she used all sorts of beautiful imagery she invented herself to talk about God from a female perspective."

Possibly to circumvent public censure about her work as a composer – which wasn't something women usually did – Hildegard asserted her work was a divine calling.

"She claimed she didn't know how to write music and that everything she wrote was a direct revelation from God," Youngdahl explains.

Youngdahl first encountered the historic figure as a doctoral student, when she met a woman performing Hildegard's works. Now, as a new professor, Youngdahl has earned a
U of L Internal SSHRC grant to continue her research and involve the choir and a student research assistant in bringing Hildegard's works to life for modern audiences.

"She was a wonderful thinker and someone who needs to be remembered," she says.

UNews - Hildegard von Bingen

Campus Kudos - November

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